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I love Jimi Hendrix… I went through the whole hippy phase and then Jonny Greenwood was definitely a favourite at one point, too. I went through a lot of different phases as a young kid. As a kid, I was a pretty big Duane Allman fan. So you know, that was like last year that we were working on that, so some of the stuff we had to relearn.”Īlthough Rateliff still plays a lot of acoustic guitar, his six-string influences include a range of players, many of whom are steeped in the blues, but there’s indie-rock in the mix, too, and plenty more besides: “I really love CW Stoneking, he’s an Australian, I guess he does like jungle-boogie kinda stuff. “We would be sitting in a room together and the song from start to finish would take about three hours.
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“Well, it is now, but for a moment there, we were like: ‘Shit, we have to learn how to play these songs!’” admits the singer. The raw energy spilling out of the grooves of both of The Night Sweats’ long players gives the impression that the band’s transition from studio to stage is a relatively easy one. Nathaniel got this offset Danocaster model to sub for the Jaguar that he used for recording the album I think the only little lead thing I play on the whole record is on Coolin’ Out, which ended up being kinda last minute…” Sometimes I’d be kicking around with an idea and I’d get kinda stuck in the progression and he’d be like, well, you could do this or you can do this… so that was kinda helpful, but the parts just kinda happen. “But Luke studied jazz in school and so it’s been nice to kind of learn some things from him, really just like my chord knowledge. “I’m kind of more of a melodic guy,” says Rateliff. This time around, Rateliff was focused more on writing, and leaned heavily on The Night Sweats’ other guitarist, Luke Mossman. When recording the guitar parts on the band’s debut album, Rateliff “did kinda everything”, solos included, aside from one part played by drummer Patrick Meese. A lot of times, we’d just be jamming, trying to figure out the structure of the song together, and just kind of running through it, over and over again, and then once in a while he’d just peek his head in and be like: ‘Sounds good guys!’ So we’d usually play it until we’d nailed the structure and when we’d play it all the way through, that would be the take.” Whether holed up in New Mexico or in Swift’s National Freedom studio in Oregon, the songs came together organically: “It was pretty natural with Richard.
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Since the first record, we’ve really become a band, so I just kind of wanted to feature that and also to use the way they play to influence me to write differently than I normally do.” “We did a lot of playing live in the room down there and a lot of us all playing in the same room out at his place as well. “We first started working on what was gonna be possibly demos, but then I talked to Richard Swift about taking those if we thought they were right and trying to make ’em work. “We first went away to New Mexico and rented a house down there that we set up as a studio,” recalls the frontman when we catch up with him between dates on the Night Sweats’ UK tour. This Danocaster Single Cut is Nathaniel’s guitar of choice in a live setting According to reports, Paul McCartney even called Fallon the following day to ask: “Who was that guy?” 2 in the Billboard Top Alternative Albums Chart. It certainly didn’t hurt album sales either. – which saw the singer deliver a performance somewhere between a turbocharged Van Morrison and vintage James Brown – received a standing ovation from the studio audience. A rip-roaring rendition of the single S.O.B. Rateliff, Pope and co’s big break came in August 2015, when they were invited to perform live to an audience of millions on US television courtesy of The Tonight Show host Jimmy Fallon. With the aim of writing songs that sounded like a fusion of The Band and Sam & Dave, Nathaniel Rateliff & The Night Sweats were born.
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In 2013, in a last-ditch attempt to give up his day job as a gardener – career prospects were limited, as he had no high-school diploma, having quit school at 13 soon after his father was killed in a car accident on his way to church – Rateliff enlisted the services of his best friend Pope alongside a cast of other local musicians.